维奥莱特（梅格翰·法伊MeghannFahy饰）是一名多年来第一次约会的寡妇和单亲妈妈，她来到约会地点的一家高级餐厅之后，就因为她的约会对象亨利（布兰登·斯克莱纳BrandonSklenar饰）比她预期中更有魅力和更帅气感到非常高兴。但是随着一连串的匿名讯息开始陆续传送到她的手机，维奥莱特就从一开始的烦躁逐渐陷入恐惧，而这两人之间原本擦出的火花也开始冷却下来。后来她收到指示不准把这件事告诉任何人，而且必须遵守匿名讯息的指令，否则她透过手机上的家用监视器看到的帽T神秘人物就会杀死维奥莱特年幼的儿子以及正在当他保姆的姐姐。维奥莱特必须完全按照指令行动，否则她所爱的每个人都会死去，而一直在无形中折磨她的神秘人物最后的指令又是什么？杀死亨利。

奥斯卡提名金牌制片人迪迪埃·布伦纳（《疯狂约会美丽都》《凯尔经的秘密》《艾特熊和赛娜鼠》）携手《神偷奶爸》动画工作室，共同带来宇宙最小号超级英雄的冒险故事！ 影片改编自博洛尼亚插画奖、比利时贝纳尔·维塞勒文学奖、美国插画家协会金奖获得者塞尔日·布洛克的经典童书作品，原著已译成10种语言和文字在多个国家出版，同名电视动画风靡全球几十个国家。 勇敢正直的小超人闪闪拥有每个超级英雄都梦寐以求的一切：关爱他的英雄父母，身负超能力的朋友们，还有一艘能带他去任何地方的飞碟……可就连他也有烦恼，在所有的小朋友里，只有他还没发现自己的超能力！随着转学生的到来，闪闪好像又看到了新希望——这个新朋友居然声称她可以教会闪闪使用超能力。于是，他们一起踏上了宇宙探险之旅……

　　Freeform宣布续订《暗影猎人》第三季，预定18年播出。

　　身体残疾的朱利安整日生活离不开轮椅，但他却有着一颗冒险的心。为了实现这个梦想，朱利安和父亲参加了尼斯铁人三项赛。在备赛过程中，他们克服了常人难以想象的困难。一家人也在此过程中加强了彼此的感情……

　　一个男人想和女友组成一个完整的家庭，但女友却无法怀孕，这位男性决定让自己来承担这个责任（生孩子），因为ta之前是一个女人

一个年青的富有女子在新几内亚从事出口贸易，她过着沉闷的生活，所以在采购颜色鲜艳的羽毛供出口用时，她决定和到探险队一起探访终日被迷雾笼罩的山谷。 (由于山谷常年都有浓雾，和没被人探访的原因，所以没有地图)在路上，她经历了60年代的公共生活模式，开拓视野的土人事物和刺激的性体验（这些都是 Barbet Schroeder电影常见的元素。）同时她还体验了新几内亚土著居民的部落生活方式。 本片与科波拉的《教父》几乎同时开始制作，漫溢着后六十年代文化群落的无信仰冒险和神秘秀丽，通过电影摄影师绝世的透镜，嬉皮似乎温和的肉欲感充斥全片。并且高潮遭遇与原始部落保留的强烈的穿越文明的奥妙。平克弗洛伊德乐队的电影配乐作为背景气氛，有效地提高神秘味道和影片的大气。

　　A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to moxia.cc the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

　　Antonio is a 30 yo family man, whose life finds an unexpected twist when he's suddenly dumped by his husband, whom he depends both psychologically and economically: he needs to find a new place to stay, a job and a new purpose in life. Antonio finds a room in an apartment owned by Denis and starts to work in a bakery owned by Luca, while attending pastry school. Through this process he discovers that it was wrong of him to give up his independence for the sake of his relationship in the past.

　　在富有魅力并善于操纵人心的领袖带领下，一群德国基督徒在智利发展壮大，成为了独裁统治的工具。